Concertgebouw, 4th June 2016
Alban Berg’s opera Wozzeck is a perfect amalgam of music and text and, as such, cries out for a worthy staging to maximise its theatrical impact. Although neither Georg Büchner’s unfinished play Woyzeck nor Berg’s setting of fifteen of its scenes can be given a single-genre sticker, one way to describe them is as psychological thrillers. Even without stage direction, this concert performance played out like a thriller, with shudders aplenty.
Full review on Bachtrack.