Probing Bernstein and MacMillan double bill in Amsterdam

Bernstein: Trouble in Tahiti

MacMillan: Clemency

De Meervaart Theatre, Amsterdam, 22 March 2018

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Abraham, Sarah and the Angel (circa 1520) by Jan Provoost, Louvre Museum (public domain) via Wikimedia Commons

The Opera Forward Festival (OFF) in Amsterdam is about new things: new compositions, rediscovered works and new faces. This year’s program included a double bill produced by Dutch National Opera’s talent development wing. Leonard Bernstein’s portrait of a miserable marriage in affluent suburbia, Trouble in Tahiti, was the contrasting companion piece to James McMillan’s Clemency, a study of the sinister side of religious belief.

Full review on Opera Today.

 

 

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Diana Damrau puts the sparkle into the RCO’s Opening Night

Mozart/Dvořák/Bernstein: RCO/Hengelbrock/Damrau

Concertgebouw, 14 September 2017

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Drawing of Antonin Dvořák by M. V. Nadherny

The Royal Concertgebouw Orchestra officially opened their 2017-18 season with a well-chosen, festive programme. In the presence of Her Majesty Queen Máxima of the Netherlands, conductor Thomas Hengelbrock led an all-Mozart first half, introducing arias with anecdotes and great enthusiasm. Antonín Dvořák’s optimistic Eighth Symphony took up the second half.

Full review on Bachtrack.

The Royal Concertgebouw Orchestra throws a glossy Bernstein party

Bernstein: RCO/Wilson

Concertgebouw, 7th July 2017

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Leonard Bernstein in 1955. Courtesy of Wikimedia Commons.

For almost thirty years, summer at the Concertgebouw has been synonymous with Robeco SummerNights. This popular series expands the classical concert formula with pop, film music, jazz and more, served straight up or mixed together. Composer Leonard Bernstein’s versatility makes his oeuvre, ranging from Broadway to opera, prime SummerNight fare.

Full review on Opera Today.