Spectacular Gurrelieder revived at Dutch National Opera

Schoenberg: Gurrelieder

Dutch National Opera, 18 April 2018

PlanOfGurreCastle.gif

Plan of Gurre Castle, Denmark. Courtesy of Wikimedia Commons.

Toward the end of Pierre Audi’s last season at Dutch National Opera, the house has revived one of its artistic director’s most admired productions. The first ever and, so far, only staged version of Schoenberg’s gargantuan cantata represents the best of Audi’s innovative work.

Full review on Bachtrack.

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Dutch National Opera successfully resurrects La morte d’Orfeo

Landi: La morte d’Orfeo

Muziekgebouw aan ‘t IJ, Amsterdam, 23 March 2018

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Apollo and Orpheus, 17th Century, Anonymous, (Metropolitan Museum of Art via Wikimedia Commons)

In the operas of Monteverdi and Gluck, Orpheus, poet and musician, is a tragic hero. He loses his wife Eurydice twice, first when she dies on earth, and again on their way out of Hades, where he descends to revive her. In Stefano Landi’s La morte d’Orfeo (ca 1619), he is a less sympathetic, but more interesting figure.

Full review on Bachtrack.

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Tristan und Isolde smoulders at Dutch National Opera

Wagner: Tristan und Isolde

Dutch National Opera, 18 January 2018

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Tristan and Isolde on a German stamp issued in 1933

After its co-producers in Paris and Rome, it is Dutch National Opera’s turn to present director Pierre Audi’s shadow-clad Tristan und Isolde. In Amsterdam Audi’s lucid visuals complemented a strong, balanced cast. Conductor Marc Albrecht kept a lyrical Netherlands Philharmonic Orchestra on a concentrated simmer for the full four hours. This was a Tristan und Isolde to treasure.

Full review on Bachtrack.

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