La Cetra dazzles in Juditha Triumphans at Dutch National Opera

Vivaldi: Juditha Triumphans

At Dutch National Opera, Amsterdam on the 26th of January, 2019

Juditha triumphans, Antonio Vivaldi’s only surviving oratorio, was composed for spiritual edification rather than the opera house. Yet director Floris Visser’s new production at Dutch National Opera successfully transforms it into a plausible wartime drama.

Full review on Bachtrack.

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Porgy and Bess at Dutch National Opera – Exhilarating and Moving

Gershwin: Porgy and Bess

At Dutch National Opera, Amsterdam on the 16th of January, 2019

Thanks to the phenomenon of international co-productions, Dutch National Opera’s first-ever Porgy and Bess is an energizing, heart-stirring show with a wow-factor cast.

Full review on Opera Today.

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Young audience embraces Die Zauberflöte at Dutch National Opera

Mozart: Die Zauberflöte

At Dutch National Opera on the 4th of September, 2018

The Dutch National Opera season opens officially on the 7th of September with a third run of Simon McBurney’s production of Mozart’s Die Zauberflöte, an unqualified success at its 2012 premiere. Last Tuesday, however, an audience aged between sixteen and thirty-five got to see a preview of this co-production with English National Opera and the Aix-en-Provence Festival.

Full review on Opera Today.

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Lessons in Love and Violence

Benjamin: Lessons in Love and Violence

Dutch National Opera, 25 June 2018

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The Earls of Lancaster, Hereford and Arundel inspect Piers Gaveston’s head, courtesy of Wikimedia Commons

Six years ago composer George Benjamin and playwright Martin Crimp gave the world Written on Skin. It caused a sensation at its unveiling at the Aix-en-Provence Festival. Hot on the heels of its world premiere at the Royal Opera House in London, the composer is now conducting their second full-length opera, Lessons in Love and Violence, at the Holland Festival, where he is this year’s Composer in Focus.

Full review on Opera Today.

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Superb, sinister Tales of Hoffmann at Dutch National Opera

Offenbach: Les Contes d’Hoffmann

Dutch National Opera, 3 June 2018

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Caricature of Offenbach by André Gill, 1874, courtesy of Wikimedia Commons

No colourful tavern scenes and Venetian gondolas in this new Amsterdam production of Offenbach’s Les Contes d’Hoffmann. Off-white and black dominate its three-floor set of many rooms. Moreover, this three-hour version assembled by conductor Carlo Rizzi and director Tobias Kratzer is likely to dissatisfy both purists and traditionalists.

Full review on Bachtrack.

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Spectacular Gurrelieder revived at Dutch National Opera

Schoenberg: Gurrelieder

Dutch National Opera, 18 April 2018

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Plan of Gurre Castle, Denmark. Courtesy of Wikimedia Commons.

Toward the end of Pierre Audi’s last season at Dutch National Opera, the house has revived one of its artistic director’s most admired productions. The first ever and, so far, only staged version of Schoenberg’s gargantuan cantata represents the best of Audi’s innovative work.

Full review on Bachtrack.

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Dutch National Opera successfully resurrects La morte d’Orfeo

Landi: La morte d’Orfeo

Muziekgebouw aan ‘t IJ, Amsterdam, 23 March 2018

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Apollo and Orpheus, 17th Century, Anonymous, (Metropolitan Museum of Art via Wikimedia Commons)

In the operas of Monteverdi and Gluck, Orpheus, poet and musician, is a tragic hero. He loses his wife Eurydice twice, first when she dies on earth, and again on their way out of Hades, where he descends to revive her. In Stefano Landi’s La morte d’Orfeo (ca 1619), he is a less sympathetic, but more interesting figure.

Full review on Bachtrack.

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