Stenz conducts an impressive Babylon at the Holland Festival

Widmann: Babylon

Concertgebouw, 3rd June 2017

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The Ziggurat of Ur in Iraq, courtesy of Wikimedia Commons

According to the programme, at one point composer Jörg Widmann requires the chorus in his opera Babylon to split into 94 parts. I hope this is a misprint, but Babylon is a fearlessly ambitious composition. This impressive performance at the Holland Festival, led by the intrepid Markus Stenz, was deservedly cheered at length.

Full review on Backtrack.

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Magnificent terror in new Requiem for Hieronymus Bosch

Glanert: Requiem for Hieronymus Bosch

Concertgebouw, 5th November 2016

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Detail from The Last Judgement (circa 1505) by Hieronymus Bosch

Like the work of it’s dedicatee, Detlev Glanert’s Requiem for Hieronymus Bosch spans the mortal and the immortal, the demonic and the angelic, the putrid and the sublime. It is one of the events commemorating the 500th anniversary of the painter’s death, and premiered one day before this Amsterdam performance, at St John’s Cathedral in ‘s-Hertogenbosch, Bosch’s birthplace. It was an extraordinary performance…

Full review on Bachtrack.

Savage and noble: Wozzeck at the Concertgebouw

Berg: Wozzeck

Concertgebouw, 4th June 2016

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Johann Christian Woyzeck’s beheading in Leipzig

Alban Berg’s opera Wozzeck is a perfect amalgam of music and text and, as such, cries out for a worthy staging to maximise its theatrical impact. Although neither Georg Büchner’s unfinished play Woyzeck nor Berg’s setting of fifteen of its scenes can be given a single-genre sticker, one way to describe them is as psychological thrillers. Even without stage direction, this concert performance played out like a thriller, with shudders aplenty.

Full review on Bachtrack.